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The Photography & Video Show 2026 Returns to Birmingham: What to Expect from the Imaging Industry’s Biggest UK Gathering

Saran K | June 9, 2026 | 3 min read

The Photography & Video Show 2026

Table of Contents

    A Strategic Return to the NEC

    After a brief detour to London’s ExCeL Center last year, The Photography & Video Show (TPVS) is returning to its traditional stronghold at the National Exhibition Centre (NEC) in Birmingham. Scheduled to run from Saturday, March 14, to Tuesday, March 17, 2026, the event signals a new operational rhythm for the show, which organizers have confirmed will now alternate annually between the Birmingham and London hubs.

    The shift back to the NEC isn’t just about nostalgia; it provides the scale necessary for a massive expansion in hands-on hardware and live educational programming. For professionals and enthusiasts, the event serves as a critical barometer for the imaging industry’s trajectory, particularly as the line between traditional photography and high-end video production continues to blur.

    Hardware Heavyweights and Retail Access

    The 2026 floor plan is anchored by the industry’s most influential entities. Attendees can expect a concentrated presence of major manufacturers, including Sony, Canon, Nikon, and Fujifilm, alongside specialized players like OM System, Pentax, and Sigma. For many, the primary draw is the “try-before-you-buy” environment, allowing users to test mirrorless systems and high-end glass without the pressure of a retail storefront.

    To facilitate immediate acquisitions, the show is partnering with the UK’s largest specialized retailers, Wex Photo Video and London Camera Exchange (LCE), ensuring that show-floor deals can be processed on-site. This integration of manufacturer showcases and retail availability creates a seamless pipeline for creators looking to upgrade their kits for the coming year.

    Diversified Learning: From Darkrooms to TikTok

    One of the more significant shifts in the 2026 iteration is the democratization of expert knowledge. The event has scrapped its previous paid masterclass model in favor of free, show-floor content. This is most evident at the Fundamentals Stage, which now offers foundational training to all visitors regardless of their professional status.

    The educational footprint is divided into specialized hubs designed to address the fragmented nature of modern imaging:

    • The Analogue Stage: A dedicated space for traditional film and darkroom processes, emphasizing the enduring appeal of non-digital workflows.
    • Photo Live: A tethered-shooting environment focusing on the physics of lighting and posing.
    • In Motion Studio & Creator Stage: These areas target the burgeoning “creator economy,” offering insights into storytelling for YouTube, TikTok, and Instagram—bridging the gap between cinematic production and social-first content.
    • Editing & Post-Production Suite: A deep dive into workflow optimization across various software ecosystems, essential for managing the massive data loads of modern 8K and RAW imaging.

    The speaker roster reflects this breadth, featuring industry veterans like landscape photographer Charlie Waite and fashion expert Lindsay Adler, alongside street photography specialist Adam Schaller. With over 130 confirmed speakers, the event is positioning itself as more of a creative summit than a simple trade show.

    Access and Logistics

    Tickets for the event are priced at £24 for single-day entry, with a tiered discount structure for those attending multiple days (50% off subsequent days). In a move to encourage the next generation of creators, students are granted free entry on Monday, March 16, and Tuesday, March 17. Children under 18 also attend for free, though those aged 5-17 require a registered ticket.

    For those following the industry through Digital Camera World, the publication will maintain a physical presence at stand F45, offering a touchpoint for readers to engage with the editorial team and explore the latest in imaging journalism.

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